Difference between revisions of "Talk:Zohal"

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(Eshu cultural history)
 
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Useful links
 
Useful links
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== art ==
  
 
http://islamic-arts.org/
 
http://islamic-arts.org/
  
https://en.wikipedia.org/wiki/Kuchipudi
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http://crookedtimber.org/2018/12/01/saturday-art-blogging-patterns-in-islamic-art/
  
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https://patterninislamicart.com/
  
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<gallery caption="Eshu art" mode="packed-hover">
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File:Reddarkeshu.jpg|Exu by [https://www.flickr.com/photos/henrique_vieira/ Henrique Vieira]
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</gallery>
  
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== makeup and style ==
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style ideas for make up can come from themes in the story and art people have created of Eshu and Orishas. Also, stylistic elements can be taken from [https://en.wikipedia.org/wiki/Aperiodic_tiling aperiodic tilings] as well as traditional Islamic mosaics. dazzle art.
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https://cvdazzle.com/
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[https://en.wikipedia.org/wiki/Kuchipudi Kuchipudi] an Indian classical dance. [http://thesariseries.com/how-to-drape-films/no-8-kuchipudi-drape/ draping] for Kuchipudi style
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[https://www.utsavpedia.com/cultural-connections/alta/ Alta dye]
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[http://en.kuchipudi.ru/ukrashenie_e.htm Ornamentations in Indian classical dance]
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http://www.joojooazad.com/2015/08/tehran-iran-streetstyle-details-details.html
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https://www.instagram.com/p/BrLKq6Dnwcr/ Alok in a cool outfit
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https://www.instagram.com/p/Bp2X4KRnw1o/ Alok in a cool outfit with really adorable glasses
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very amazing hair https://www.instagram.com/p/Bqm-vHdHywb/
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== Eshu cultural history ==
  
 
Cosentino, Donald. “Who Is That Fellow in the Many-Colored Cap? Transformations of Eshu in Old and New World Mythologies.” The Journal of American Folklore, vol. 100, no. 397, 1987, pp. 261–275. JSTOR, JSTOR, www.jstor.org/stable/540323.
 
Cosentino, Donald. “Who Is That Fellow in the Many-Colored Cap? Transformations of Eshu in Old and New World Mythologies.” The Journal of American Folklore, vol. 100, no. 397, 1987, pp. 261–275. JSTOR, JSTOR, www.jstor.org/stable/540323.
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"Eshu's Cap: One day Eshu walked between the farms of two friends wearing a multicolored cap (variously described as red and white; red, white and blue; or red, white, green, and black). He also put his pipe at the nape of his neck and hung his staff over his back. As he passed back and forth, the friends quarreled about his appearance and the direction he was walking, until they came to blows. Later, when the disputants brought him to court, Eshu confessed to the trick, boasting that "sowing dissension is my great delight." Then he fled, starting a fire along the way and mixing up all the possessions of fleeing townsfolk (Pelton 1980:141). Thus testing and exposing friendships, creating and destroying wealth, Eshu exits laughing."
 
"Eshu's Cap: One day Eshu walked between the farms of two friends wearing a multicolored cap (variously described as red and white; red, white and blue; or red, white, green, and black). He also put his pipe at the nape of his neck and hung his staff over his back. As he passed back and forth, the friends quarreled about his appearance and the direction he was walking, until they came to blows. Later, when the disputants brought him to court, Eshu confessed to the trick, boasting that "sowing dissension is my great delight." Then he fled, starting a fire along the way and mixing up all the possessions of fleeing townsfolk (Pelton 1980:141). Thus testing and exposing friendships, creating and destroying wealth, Eshu exits laughing."
 
</blockquote>
 
</blockquote>
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red, black, feather, trickster
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A messenger aspect. they carry messages of others but like the red/black hat story, they are messengers that carry messages people didn't send? borrow elements from all cultures. not only Yoruban.
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== Remembrance ==
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young body, old soul. old and young bodies remembered in fragments
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emotional intensity of an adolescent flavored with an out-of-context distancing of an elder
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travel duration/cost in Roman times http://orbis.stanford.edu/

Latest revision as of 10:58, 2 January 2019

Useful links

art

http://islamic-arts.org/

http://crookedtimber.org/2018/12/01/saturday-art-blogging-patterns-in-islamic-art/

https://patterninislamicart.com/

makeup and style

style ideas for make up can come from themes in the story and art people have created of Eshu and Orishas. Also, stylistic elements can be taken from aperiodic tilings as well as traditional Islamic mosaics. dazzle art.

https://cvdazzle.com/

Kuchipudi an Indian classical dance. draping for Kuchipudi style

Alta dye

Ornamentations in Indian classical dance

http://www.joojooazad.com/2015/08/tehran-iran-streetstyle-details-details.html

https://www.instagram.com/p/BrLKq6Dnwcr/ Alok in a cool outfit

https://www.instagram.com/p/Bp2X4KRnw1o/ Alok in a cool outfit with really adorable glasses

very amazing hair https://www.instagram.com/p/Bqm-vHdHywb/

Eshu cultural history

Cosentino, Donald. “Who Is That Fellow in the Many-Colored Cap? Transformations of Eshu in Old and New World Mythologies.” The Journal of American Folklore, vol. 100, no. 397, 1987, pp. 261–275. JSTOR, JSTOR, www.jstor.org/stable/540323.

"Eshu's Cap: One day Eshu walked between the farms of two friends wearing a multicolored cap (variously described as red and white; red, white and blue; or red, white, green, and black). He also put his pipe at the nape of his neck and hung his staff over his back. As he passed back and forth, the friends quarreled about his appearance and the direction he was walking, until they came to blows. Later, when the disputants brought him to court, Eshu confessed to the trick, boasting that "sowing dissension is my great delight." Then he fled, starting a fire along the way and mixing up all the possessions of fleeing townsfolk (Pelton 1980:141). Thus testing and exposing friendships, creating and destroying wealth, Eshu exits laughing."

red, black, feather, trickster

A messenger aspect. they carry messages of others but like the red/black hat story, they are messengers that carry messages people didn't send? borrow elements from all cultures. not only Yoruban.

Remembrance

young body, old soul. old and young bodies remembered in fragments

emotional intensity of an adolescent flavored with an out-of-context distancing of an elder

travel duration/cost in Roman times http://orbis.stanford.edu/